'Standing Off Indians, illustration for T. Roosevelt book, Ranch Life and the Hunting Trail, ca. 1888 |
Name an American artist whose work specialized in the
American West and most likely you will think of either C.M. Russell or Frederic
Remington. It was my good fortune to recently visit a Remington exhibition at
the Metropolitan Museum of Art.
'On the Headwaters--Burgess Finding a Ford' illustration for Policing the Yellowstone, 1893, Harper's |
While Remington came from upstate New York,
connections to the west were certainly in his blood. He was distantly related
to George Catlin, portrait artist of Native Americans, to the Remingtons of
rifle fame, and to mountain man Jedediah Smith.
These connections did not seem to have particularly inspired him early on;
he was something of a dilettante and highly unfocused, preferring football to
his art classes at Yale, and subsequently going through several unrelated jobs
upon his father’s death. The brief stint
at Yale, along with some courses at the Art Students’ League in NYC, were his
only formal art training.
illustration for Owen Lister's book, 'Lin McLean' published 1898 |
Aged nineteen, in 1881, Remington finally
headed west to Montana. He eventually bought an interest in an unsuccessful
sheep ranch in KS, but it was upon his marriage in 1884 that he finally opened
a studio, initially in Kansas City, MO.
His first published sketch, of a Wyoming cowboy, appeared in Harper’s Weekly in Feb. 1882. After
extensive travels throughout the west, Remington returned to NY where his
career took off.
The Old Dragoons of 1850, modeled 1905, cast 1907 |
Remington’s illustrations appeared in forty-nine
periodicals, predominantly Collier’s
and Harper’s. He also went on to illustrate books by such
acclaimed authors as Owen Wister, Longfellow, T. Roosevelt, and Francis
Parkman. He began exhibiting paintings in 1887, but it was when he
studied under sculptor Frederick W. Ruckstall that his talent for modeling came
to light. The Bronco Buster,
copyrighted in 1895, was an instant success. NY foundries cast more than 275
authorized bronzes of that alone during his lifetime, and there were twenty-two different bronzes in total, almost all of western subjects.
illustration for The Song of Hiawatha' by Longfellow, 1891 |
Remington had moved to New Rochelle, and
eventually to Ridgefield, Conn. where he died in 1909, aged forty-eight, from
complications following an appendectomy. There is a Frederic Remington Art Museum
in Ogdensburg, NY, housing numerous works and memorabilia.
What an interesting fellow! You've inspired me to look him up because I'm curious to learn more about him. I didn't realize Remington was related to Catlin, and though it's now obvious to me, I didn't connect him with the rifle Remingtons! And how did he create such works with so little formal training? Fascinating character! And he died so young! Thanks for sharing your visit to the exhibit with us.
ReplyDeleteI found him particularly interesting because of his misspent youth—it took him a while to find his calling. Also, I visited a Hockney exhibit the same day so the comparisons were fascinating — especially with Hockney’s AZ paintings
ReplyDeleteSuch a huge talent. I would love to own one of his castings but they're a little too expensive for me.
ReplyDeleteYou and me both, Kristy!
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