Photo (c) by Doris McCraw |
For
those who would like to review the first part, you can access it
here: writers and screenwriters
So
here we go.
- Psychological effect
- It’s important for writers to understand the human psyche. By doing so the writer can effectively communicate their message to their audience.
- The best stories include both sides of conflict equally, thus allowing the audience to form their own opinions.
When
we start a story, we usually have an idea of where we’d like the
story to go. As noted above, some of the best stories have multiple
views of what is happening. I’ve heard it said a story is only as
good as it’s villain. I don’t know how others feel, but in my
first published novella, “Home for His Heart”, I felt I needed a
villain who was strong enough to force the hero and heroine out of
their respective fears. That the villain felt justified in his
actions made him even scarier than just a bad person.
- Symbolic Linkage – Symbolic links are a handy tool for any writer. Most audiences are smart and are have a common culture; therefore writers can effectively use what some audiences might already have been subjected to.
The
story of the West has been told by many authors in many different
forms. This is also true of the film industry. As we look back to the
early western writers and film makers we see a cleaner delineation of
good and bad. We can reference events and most will understand the connection. As time has passed, the stories have become more
complex, the line between hero and villain have sometimes been
blurred. One of my favorite films is the original ‘3:10 to Yuma’
with Van Johnson and Glen Ford. Although you know who the hero and
who the villain are, the story adds the element of good in the bad.
The remake with Christian Bale and Russell Crowe added more on screen
violence and more of the pieces of good and bad for both the hero and
the villain. However, if you really want to see how one story can be
told is a myriad of ways, read the original short story by Elmore
Leonard. It is a great, yet short read.
photo (c) by Doris McCraw |
- Archetypes – Another way to engage your audience is the use of archetypes. In particular the concept of an archetype reveals recurring mental images and/or themes that encompass many different cultures and societies throughout time. One could say that we as humans innately understand archetypes from birth. Character examples might include: The Hero, The Caregiver, or The Wizard. Story specific examples might include: The Hero or The Rebirth.
If
there is a more perfect description of the Cowboy as hero, I don’t
know what is might be. We have the archetype right there. The Cowboy
is the hero, the caregiver and for some a wizard who is there to save
the day. When I was writing “Chasing a Chance” my hero was just a
man who wanted to find and help the woman he’d always loved.
Through the story he learns just how much he was capable of. In some
ways, his journey is one of rebirth into who he always was.
- Myths – With archetypes also comes the use of Myths. Constructing your own myths, legends and saga can also have a big impact on an audience. Myths help make a connection in the same way that both symbolic links and archetypes do. As a myth story unfolds the audience instinctively understands what’s at stake and instantly realizes this is an epic larger then life adventure ahead.
We
as Western and Western Romance writers make use of the myths of the
West in our storytelling. It is what has drawn us to the genre and
keeps us telling its story.
So
as storytellers, what part of myth, archetype and symbolic links do
you use? I realize I love telling stories of people who come to
understand what they are capable of and of making peace with their
past. The stories of the West, the journeys and new starts fit so
well with the men and women I come to love as I strive to tell their
stories.
Doris Gardner-McCraw -
Author, Speaker, Historian-specializing in
Colorado and Women's History
Colorado and Women's History
writing fiction as
Angela Raines - author: Where Love & History Meet
For a list of Angela Raines Books: Here
Angela Raines FaceBook: Click Here
6 comments:
I believe it can be a great benefit to a writer to look at the inherent symbolism in a story they're writing and to strengthen those themes. It can really enrich the work. Lovely blog post, Doris.
Thank you Kristy. I know I use archetypes and symbology when writing, even if it is just in my own head. Doris
I learn something from you every time I read your article or blog, Doris. If we ever reach the point where we think we know enough, well, that's when we really have to dig deeper.
Very interesting post, Doris. Like you I really like the original 3.10 TO YUMA movie. For me the remake fell down by trying to replace tension with action. I also felt it was weakened by shifting the main emphasis to the moral struggle of the bad guy, so that the good guy (CHRISTIAN BALE) was underdeveloped as a character. In the original both characters struggle - the bad guy to find some virtue as he comes to respect his captor, and the good guy (a tremendous performance by VAN HEFLIN) to resist temptation.
Thank you Elizabeth. Since a young age, I've always wanted to know more, figure out how things work, and challenge myself to learn something I didn't know. I'm glad I have outlets to share that information with others.
Doris
Andrew, The Elmore Leonard story is a great read, and then to see how they took the story and made the two movies is enlightening as to how people react to the written word. They all are as different as night and day in the execution. I'm glad you also enjoy the original movie. I've DVDs of both, the the early one gets the most play. (It makes for a great exercise to watch one after another and analyze.) Doris
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