Bill Pickett

 

Bill Pickett (1870-1932) was a pioneering African American cowboy, rodeo star and one of the most influential figures in the history of the American West. Bron in Travis County, Texas, Pickett grew up in a time when the Wild West was rapidly changing, yet he embraced the cowboy lifestyle from a young age. He developed a reputation for his exceptional skills in horse riding, roping, and most notably, his innovative method of "bulldogging", a technique where a cowboy would jump from his horse onto a steer and wrestle it to the ground by biting its upper lip. This daring and dangerous technique became one of his trademarks and was later adopted as a standard practice in rodeo competitions.

Pickett's contributions to the cowboy culture were not just about his skill set; they also reflected his deep understanding of the traditions and toughness of the frontier. As a member of the 101 Wild West Show one of the most prominent rodeo and circus-style performances of the time, Pickett performed in front of large audiences across the United States and Europe. His performances helped solidify his place as a major figure in the American entertainment scene and brought more visibility to African American cowboys, a group often overlooked in popular history.

Despite facing racial discrimination and adversity, Pickett achieved success and recognition within the rodeo world and beyond. His exploits as a cowboy were widely celebrated and he became a symbol of resilience and excellence. He performed alongside other notable figures in the Wild West shows, including the legendary Buffalo Bill Cody, and toured extensively. Pickett's ability to entertain large crowds and his skillful handling of livestock made him an iconic figure in the history of American rodeo.

Bill Pickett's legacy has endured through the years, and in 1971, he was inducted into the Pro Rodeo Hall of Fame, recognizing his contributions to the sport. Pickett's life and work helped shape the perception of the American cowboy, breaking barriers for African Americans in the Wild West. His life is a testament to the courage and determination of a man who defied the odds and carved out a significant place in American history, not just as a cowboy, but as a cultural trailblazer.

Sandra

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Black History Month:African American Cowboys of the Old West by Andrea Downing

A friend and I were recently discussing the fact that between one quarter and one third of all cowboys in the old west were African American.  It’s not a fact widely known, of course, because at the time that television evolved presenting us with a host of westerns and thereby making the history of the Old West something of interest to the general public, segregation and its accompanying prejudices were still in place. It was the money of white Americans that advertisers were after and so, to appease the audience, a whole section of this post Civil War history was neglected. Likewise with the written word; westerns were written by whites for whites. For instance, The Lone Ranger is said to have been inspired by black lawman Bass Reeves.  Alan Le May’s book, The Searchers, was at least partly inspired by the life of African American Britt Johnson, whose family was kidnapped by Comanche.

Britt Johnson

It’s therefore somewhat contrary that the Library of Congress saw fit to note the subsequent John Wayne/John Ford film as being “culturally, historically or aesthetically significant” with its all-white cast. Since it is Black History Month, I thought I’d take this opportunity to have a brief look at the contributions made by black cowboys.

African American men, like their white counterparts, sought to depart a South decimated by war. Indeed, they had even more reason to want to migrate:  the Black Code laws put in place by the southern states limited their new-found freedoms, and subsequent Jim Crow laws instilled even further restrictions. They couldn’t own land in many places and jobs were ill-paid for these former slaves. The so-called Exodusters—African Americans who were now free—began migrating to Colorado, Oklahoma, and most especially Kansas in 1879 (see https://andreadowning.com/2017/04/02/nicodemus-african-american-icon-of-the-old-west/ )  As slaves, many of these men, however, had handled cattle and horses while others had worked as cooks and could therefore continue to serve in those capacities on the trail rides from Texas to the north.

While there was a certain amount of equality on the range since men had to be both independent—going out on the range for days at a time without any overseer as they would have done as slaves—but also dependent on each other in times of trouble, racism was still present. African American men were given the most menial jobs and the worst horses, apparently often being the ones to break broncos.  At branding, they were the ones to hold down the calf—a dusty, dirty job—while it was a white man who did the actual branding. African Americans were not permitted in the bordellos, although welcome to gamble. And when rodeos began, there were separate rodeos for blacks and whites, as well as separate state fairs; blacks often did not perform in front of a white audience. The term ‘cowboy’ purportedly was originally used for the black men only, as a pejorative term; they had been called ‘boy’ throughout their slavery years and so it continued.  White men were called ranch hands or cow hands, and cowpunchers were the men who prodded the cattle onto the trains.  Eventually, of course, all these terms became more or less interchangeable.

Bass Reeves

Yet, this did not stop these men from being good at what they did and accomplishing great things. The aforementioned Bass Reeves (1838-1910), originally from AR but later living in TX, escaped his master and lived with Native Americans, learning several of their languages, until the end of the Civil War. He was recruited as the first African American deputy marshal in AR where he later lived.  He also served in Indian Territory and through his career was never wounded, bringing in a purported 3,000 felons and shooting fourteen outlaws in the process. When OK became a state, he served in the police department until he retired. (also see https://cowboykisses.blogspot.com/search?q=Bass+Reeves by Zina Abbott)

Jesse Stahl (1879-1935) was a legendary rodeo star as a saddle bronc rider.  He also

Jesse Stahl

invented the rodeo technique of ‘hoolihanding’—leaping from a horse onto the back of a bull, taking hold of its horns, and wrestling it to the ground! This stunt eventually was banned and gave way to steer wrestling, but that wasn’t the end of Stahl.  He and fellow rodeo star, Ty Stokes, would headline at rodeos for riding a bucking horse back-to-back. Stahl was inducted into the Rodeo Hall of Fame in 1979.

Another inductee was Bill Pickett (1860-1932) who reputedly ‘invented’ bulldogging, or steer wrestling, with the Miller Bros. 101 Ranch Real Wild West Show. This involves leaping from your galloping horse onto the steer, twisting its head so that you can bite its upper lip, and wrestling it to the ground.

Nat Love

Nat Love (1854-1921) taught himself how to read and write and wrote his own exploit-filled autobiography. He fought cattle rustlers in Dodge City, KS, and met both Pat Garrett and Billy the Kid as well as Bat Masterson. At a Deadwood, SD, rodeo, he won six of the contests and became known as Deadwood Dick after a character in a story. Eventually, Love moved to CA and became a Pullman porter and subsequently a security guard.

These are but a few of the men who have been long neglected in the history of the west. Hopefully, with changing times will come a change in the presentation of the American West in both cinema and literature.

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Photo of Britt Johnson from BBC Magazine, original source unknown.  All other photos public domain via WikiMedia