Showing posts with label women's fashion. Show all posts
Showing posts with label women's fashion. Show all posts

Friday, May 8, 2020

The Wild Women who wore Bloomers

Making history in bloomers - two wild women reformers

By Jacqui Nelson

When women started wearing bloomers (loose trousers gathered at the ankle and worn under a below-the-knee-length skirt) in the 1850s, it was considered a scandalous mode of dress. What bloomers replaced seems beyond scandalous by today’s standards.

1850s fashion bloomers
1850s fashion bloomers with corset
If women wanted to be deemed fashionable in the 1850s, they wore…

1) a skirt that dragged several inches on the ground
2) layers of starched petticoats stiffened with straw or horsehair sewn into the hems
3) a whale-bone corset that pushed one’s internal organs out of place

As one medical professor warned his students, the result was “a feminine population which was of no use as cadavers for studying human anatomy.”

But bloomers (also known as the Reform Dress) resulted in warnings as well. Public meetings were called to stop the change. Some women were denied church membership for wearing bloomers.

So now it's time to meet Amelia Bloomer and Lucy Stone, two Wild Women reformers and fashionistas who helped shape a new fashion…instead of having it shape them.

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Amelia Jenks Bloomer
( born 1818 in Homer, New York )

1851 drawing of Amelia wearing bloomers
1851 drawing of Amelia
At age 17, Amelia became a schoolteacher. When she was 22, she married Dexter Bloomer and started writing for his newspaper, The Seneca Falls County Courier.

Eight years later in 1848, she attended the Seneca Falls Convention (the first women's rights convention) and was inspired to start her own newspaper, The Lily (the first American newspaper published by and for women).

In 1851, Amelia introduced suffragettes Elizabeth Cady Stanton and Susan B. Anthony to each other.

That same year, temperance activist Libby Miller started wearing bloomers. Libby’s cousin showed them to Amelia who began wearing them as well. Amelia promoted her bloomers in her newspaper as a change in dress standards that allowed less restriction in women’s regular activities. Her articles were picked up by The New York Tribune, and this new fashion was dubbed the Bloomer Costume or just bloomers.

In 1854, Amelia sold her newspaper and moved with her husband to Council Bluffs, Iowa, where she wrote periodicals and led suffrage campaigns. From 1871 until 1873, she served as president of the Iowa Woman Suffrage Association.


Lucy Stone
( born 1818 in West Brookfield, Massachusetts )

1853 drawing of Lucy wearing bloomers
1853 drawing of Lucy
At age 16, Lucy (like Amelia) became a schoolteacher. When she was 25, she traveled by train, steamship, and stagecoach to attend Ohio’s Oberlin College (America’s first college to admit both women and African Americans).

In 1847 (after becoming the first woman from Massachusetts to earn a college degree) she began a career as a women's rights lecturer—during a time when women were discouraged from public speaking.

In 1850 while traveling for her work, Lucy contracted typhoid fever and nearly died. During the winter of 1850–51, she began wearing bloomers as a health measure to help her recuperate.

For the next four years, while speaking for women's rights and against slavery, Lucy helped popularize bloomers by wearing them exclusively as she addressed huge audiences in over twenty states and in Canada as well.

Called the “heart and soul” of the women's rights movement, Lucy not only influenced Susan B. Anthony to take up the suffrage cause, but Elizabeth Cady Stanton wrote that Lucy was “the first person by whom the heart of the American public was deeply stirred on the woman question”…all while wearing bloomers ðŸ™‚

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I love fashion that's comfortable...and doesn't push my internal organs out of place. There's nothing like writing in your pajamas! ❤️

What's your favorite work or relaxation clothing? 


Jacqui's author photo
Read more of my Cowboy Kisses Wild Women blog posts 

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Friday, April 3, 2020

A Blow Struck for Feminism. The Surprising History of Long Underwear and 19th Century Dress Reform

by Patti Sherry-Crews

"Deliver us from the evils of the dress!" --Annie Jeanness-Miller

Union Suit

Have you ever looked at photographs of Victorian-era women climbing mountains and wondered how in the world did they manage such strenuous activity wearing those clothes? As ridiculous as those outfits look to us today, the attire available to the active women in the mid 19th century was far less cumbersome than previously, thanks to Annie Jeanness-Miller and other pioneers of the Dress Reform movement.




To put the call for dress reform in context, let's first look at what women were expected to wear earlier. Desired silhouettes changed from time to time, but in the early part of the 19th century, the ideal woman had a teeny, tiny waist and full hips. What nature did not provide, artfully constructed clothing did. Women's undergarments were so many and complicated that a lady sometimes needed assistance to dress herself. The first layer of clothing were bloomers. Next came the chemise. So far not so bad. But then the fashion victim had to be squeezed into a corset which laced in the back (we all have that scene in our heads right now of Scarlett O'Hara, who has been starving herself all morning in preparation for the big party, holding on to a bedpost while Mammy stands behind her lacing her corset--admit it, that's what you were thinking of).


Bloomers, chemise, and corset, but that's not all. We're not dressed yet. Before she could slip into her dress, the lady still had to put on a crinoline to hold the shape of a hoop skirt, and over that were several petticoats. And when it was in fashion, the bustle gave the lady the desired S-shaped profile. Now, go climb that mountain, girl!

Then out of the White Mountains of New Hampshire came Annie Jeanness-Miller, and she was having none of it. Annie, who was related to Oliver Wendell Holmes, was a lecturer and a so-called Women in Letters of the time. In addition to dress reform for women she educated the public on other topics such as social justice and the prevention of disease by using proper hygiene.

Annie felt that restrictive clothing, including enormous hats, put women in a subservient position to men. Her goal was to emancipate the waist! To accomplish this, she published a magazine called Dress and sold patterns for more sensible outfits. Outfits a woman could climb a mountain in. Or go yachting--or play a game of lawn tennis. She even designed a business suit and patented athletic wear for women.

Earlier attempts at dress reform weren't successful but what Jeanness-Miller got right was to stay within the norms of contemporary fashion, so in outward appearance there was nothing radical in her designs. She also included beautiful touches like eyelet lace and ribbons, so her line still had feminine appeal.

The first strike in her war against the corset was the Union Suit (different from Long Johns which are comprised of separate top and bottom. Union Suit meaning the union of top and bottom), and yes it had the "trapdoor." The garment fitted to a women's natural shape and could be made from various material like silk or wool depending on the season. This undergarment eliminated bulky fabric, allowing for more natural movement.

"With the Union Suit all of this is obviated, and a woman becomes a dainty object where formerly she looked as if wrapped in yards of meaningless stuff."--Annie Jeanness-Miller

Next,  the Chemilette was worn over the Union Suit to replace the corset.


Chemilette


 And finally came the Model Bodice and the Turkish Leglettes. Notice the exotic names she called her pieces. Annie had quite the flair for marketing.

Turkish Leglettes and Model Bodice

Of the Turkish Leglettes she reasoned, "Why not a divided garment for clothing women's legs as well as a man's? Nothing in their anatomical construction would suggest any other conclusions; and why, then, clothe them differently when by so clothing them, freedom and grace of movement are both sacrificed."

And furthermore, "The Turkish Leglettes are a great improvement over the petticoat, because they are designed with special regard for the legs. They clothe each separately, and for this reason are much warmer than the petticoat, under which the air circulates freely. Each leg lifts its own weight in walking, so that very great resistance at the ankle and knee from the petticoat is gotten rid of, and in wet weather they do not get dragged and soiled as do the petticoats."

The Union Suit proved to be such a practical garment that men picked up on it. Picked it up to such an extent that now when we think of the Union Suit, we generally picture a rugged manly type chopped down a tree or something in red long underwear. Red, by the way, became and still is the most popular color. Why red? Because if a man were to find himself in some distress out in the wild he could strip down to your alarm-red underwear for better visibility.

In my historical novels I like the get my heroines out of their corsets as soon as possible.
Here is an excerpt from my upcoming historical western romance, His Unexpected Companion.

Excerpt:
Forget about leaving town at an early hour. He spotted an alley he knew would lead him to the hotel by way of a shortcut. If the store had delivered his supplies and the livery stable had brought around his horse, he could be on his way in a short time.
At last things were falling into place and it looked like a perfect day for traveling...except that woman kept intruding on his thoughts. He worried about her survival in the wild, and that was assuming she could even get out of town unmolested.
Turning down the alley his heart leaped into this throat. There half way down the alley, crumpled into a ball by piles of trash was a sight familiar to him. Green dress! Oh, my lord, no!
He raced down the length of the alley to the form on the ground. As he reached it, something brushed by his shoulder and landed on the ground. A corset!
Looking up, he caught a quick flash of a person...a person who appeared to be not wearing clothes. The figure reappeared again, and he recognized the woman. She waved something out the window and a pair of bloomers floated down toward him. At his feet sat a growing pile of clothes, including the dress she wore last night. He tilted his head back again to be met with the sight of her, half crouched below the window, her mouth frozen into a perfect “O”. She slunk back inside but he heard laughter.
Completely scandalized, he walked away quickly but with dignity. 
This woman was clearly insane.

<><><><><><><>

Olivia had to laugh at the expression on his face. She left him with a puzzle today!
Too bad he was such an old fuddy duddy because he was a good-looking man. Just her sort, really. Tall and lean with lovely auburn hair. The first time she saw him sitting in the restaurant with his hair carefully combed back with pomade, he arrested her attention. He had the kind of hair she liked to muss up and see flopping over his forehead.
Of course, she didn’t have to throw her clothes out of the window. But she sure wasn’t going to take up valuable room in her saddle bags with dresses she had no use of. Besides, she hated them. Watching the garments land in the alley had been the most fun she’d had in months. Picked out for her and bought by somebody else and now so much trash. 

Shedding her skin as it were, she now stood naked as the day she was born. Time to grow a new skin. She gathered her purchases from today and slipped into her new clothes.
The image reflected back to her in the mirror pleased her. The men’s clothing didn’t exactly hide her womanhood but it helped. And wearing pants was so much more comfortable. Nothing more restrictive than lady clothes. It had been especially good to get shot of that device of torture known as a corset. She took in a deep breath, enjoying the way her body expanded to its natural boundaries.
She swung her long hair over her shoulder and plaited it into one braid, which she coiled on top of her head and fixed with pins. 
Before leaving her room for the last time, she crammed the hat over her head and judged the effect in the mirror again. Unrecognizable. Anyone coming after her would have their work cut out for them.

About His Unexpected Companion:
Kit Traver, dissatisfied with his life practicing law in Boston, is returning home to Leadville, Colorado and looking forward to a simpler life--where he's all but formally engaged to a girl back home he's been corresponding with. Olivia Darling has found living on the run with an outlaw is not what she imagined. All she wants now is to return to her family's ranch.
When both Kit and Olivia find themselves on the same trail heading to their respective homes, the unlikely duo join forces. Kit fights his growing attraction to Olivia who has her own reasons for inciting his passion. When she pushes him too far, the two end their journey on a sour note.
Back in Leadville, Kit finds things much the same. Only he finds he's the one whose changed. Olivia returns to the ranch to find home for her as altered forever. Kit can't stop thinking about the unconventional woman he met on the trail and sets out to find her. But will he be too late?
His Unexpected Companion is set for release through Prairie Rose Publications in June of 2020.

You can find my books, both contemporary and historical at http://pattisherrycrews16.wix.com/author-blog