GUNSMOKE

Have you ever wondered about the actors and actresses who portrayed the characters on the western shows that we and/or our parents grew up with on our TV screens? After watching re-runs of several westerns from my past, I decided I wanted to find out about these people who entertained me. After looking them up, I thought you might be interested, too. Today I’m concentrating on one of my favorites, GUNSMOKE which ran for 20 years.

 

                                                              GUNSMOKE ACTORS

  

Matt Dillon was played by 6’7” James Arness, who was born in Minneapolis, MN on May 26, 1923. His given name was, ‎James King Aurness.

When he accepted the role of Matt Dillion, he had to dye his naturally blond hair for the role, since dark hair was considered more masculine at the time. Because of his unusual height, many people guesting on the show had to stand on boxes or in ditches to look good in the pictures. He retired from acting at age 71.

He held the record for the longest continuous role (Matt Dillon) portrayed by a single actor (20 years) on prime-time television, until Kelsey Grammer (Dr. Frasier Crane on Cheers (1982) and Frasier (1993) tied the 20 year record in 2004.

James Arness was a veteran and during his service in World War II, he received the Bronze Star; the Purple Heart; the European-African-Middle Eastern Campaign Medal with three bronze campaign stars; the World War II Victory Medal and the Combat Infantryman Badge.

Married twice James Arness was the father of 4 children, including his first wife’s son who he adopted.

Many stars were friends with James Arness, including John Wayne who had suggested he be given the role of Matt Dillon, but he considered his younger brother, Peter Graves (Mission Impossible) his best friend.

James Arness died of natural causes in 2011 in Los Angeles.

~*~

                                                                                

Miss Kitty Russell, the red-haired owner of Gunsmoke’s Long Branch Saloon in Dodge City, Kansas was played by Amanda Blake an American actress. Ms. Blake was born on February 20, 1929 in Buffalo, NY. Her given name was Beverly Louise Neill. She was married four times, but had no children.

Before making it in show business, she worked as a telephone operator.

An animal lover, in 1971 she joined with others in Phoenix, Arizona, to form the Arizona Animal Welfare League. The AAWL is now the oldest and largest "no-kill" animal shelter in Arizona. (Ms. Blake’s 2^nd husband was an Arizona cattleman.)

Amanda Blake smoked 2-3 packs of cigarettes a day until being diagnosed with oral cancer in 1980. After enduring oral cancer surgery in 1984, the American Cancer Society awarded her with its Courage Award which was presented to her in Washington, DC by President Reagan.

In 1961 she sold her residual rights to Gunsmoke for $100,000.

Ms. Blake was believed to have contracted the AIDS virus from her last husband who was openly bisexual.

Amanda Blake died of AIDS-related hepatitis in 1989 in Sacramento, California.

~*~

 

Chester Goode: Dennis Weaver. Weaver was born June 4, 1924 in Joplin, Mo. His birth name was William Dennis Weaver. A part-American Indian, he was a registered Cherokee, as well as Osage.

He was a struggling actor in Hollywood in 1955, earning $60 a week delivering flowers when he was offered $300 a week for a role in Gunsmoke. After nine years as Chester, who he played with a stiff-legged gait, he was earning $9,000 a week.

Weaver was a veteran and served as a pilot in the U.S. Navy during World War II.

A vegetarian, he served as the president of "Love Is Feeding Everyone" (LIFE), which fed 150,000 needy people a week in Los Angeles County.

Dennis Weaver died, February 24, 2006, in Ridgway, Colorado from complications of cancer.                                                                                     ~*~

                                                                           

Doc Galen Adams was the character played by Milburn Stone. His full name was Hugh Milburn Stone, sometimes known as Milly Stone. He was born July 5, 1904 in Burrton, Kansas. He was married twice and had one daughter.

At one time he sang with Harry James and His Orchestra.

Stone’s uncle was the famous Broadway comedian, Fred Stone. Milburn moved to Los Angeles in 1935 to try his luck in films. He toiled for years and became an "overnight" star in Gunsmoke. He remained a citizen of Dodge City throughout its entire 20-year run (500 episodes), although he was temporarily sidelined by a heart attack in 1971. The ever-durable Stone missed only seven episodes. Milburn won a well-deserved Emmy award in 1968 for his crusty role.

In 1961, he sold his residual rights of Gunsmoke to CBS for $100,000.

Milburn Stone died from a heart attack on June 12, 1980, La Jolla, California.

                                                                       ~*~

 

 

Festus Haggen, played by Ken Curtis, who was born July 2, 1916, in Lamar, Colorado. His birth name was Curtis Wain Gates.

Curtis began his show business career as a singer in the big-band era, and was a vocalist in the legendary Tommy Dorsey orchestra.

As the son-in-law of director, John Ford, he appeared in many of Ford’s singing westerns. He also appeared in Carnegie Hall with the Sons of the Pioneers.

Curtis was married twice and was the father of two children.

He died on April 28, 1991 in Fresno, California from a heart attack in his sleep.

   ~*~

 

Quint Asper was played by Burt Reynolds.  Burton Leon Reynolds was born February 11, 1936 in Lansing, Michigan.  

He was married twice and has one son.

In 1962, Burt Reynolds was added to Gunsmoke, as the half-Comanche blacksmith, Quint Asper. He performed that role in the years just before the departure of Chester Goode and just after the appearance of Festus Haggen.

Reynolds’s latest project is to film a movie with Modern Family’s, Ariel Winter to be filmed in Knoxville, Tennessee in June/July 2016.

~*~

 

           Newly O’Brien, gunsmith-turned-deputy in 174 episodes during the last eight seasons of Gunsmoke is played by Buck Taylor. Walter Clarence "Buck" Taylor, III was born on May 13, 1938 in Los Angeles, California.

Taylor was married twice and is the father of 3 children.

He studied art on a scholarship while in college and later was seen sketching during film and TV breaks. An accomplished and well-known western artist who enjoys exploring America's "Old West" and delving into typical everyday cowboy scenes of hitching horses or setting up camp, he specializes in watercolor. His art is now sought after by collectors.

He and current wife live on a ranch north of Fort Worth, Texas.

~*~

 

Sam Noonan, the bartender at the Long Branch Saloon in Dodge City, Kansas was played by Glenn Strange. Strange was born George Glenn Strange in Weed, New Mexico, on August 16, 1899, but grew up a real-life cowboy in Cross Cut, Texas. He was of Indian descent.

Strange was married three times and had four children.

He taught himself the fiddle and guitar at a young age and started performing at local functions as a teen. At various times in his life, this huge, towering 6' 5” beast of a man worked as a rancher, deputy sheriff and rodeo performer.

He played several monsters in movies including Frankenstein’s monster. Though Boris Karloff was famous for the role, the studio often used Strange’s picture to promote the show. Ironically when Boris Karloff's obituary was run in newspapers in 1969 it was with Strange's picture as Frankenstein's monster.

He capped off his career with a steady 12 years by playing the role of Sam the bartender on Gunsmoke.

Glenn Strange died on September 20, 1973 of lung cancer.

                                                     

 

Showdowns and Shootouts in Western Fiction by @JacquieRogers

Romance in Traditional Westerns

by Jacquie Rogers

Most Cowboy Kisses readers are dedicated Western Romance Historical (WHR) fans, as am I and the other CK contributors. But we also love anything that has to do with the Old West. Lately, I've been reading Traditional Westerns just to get a taste outside our subgenre.

Guess what? Nearly all the traditional westerns I've read contain a significant amount of romance even though there's no way these novels could be confused with a WHR.

Or is that true? If you've read Hondo by Louis L'Amour, you know that the spine of the story is the relationship of Hondo Lane and Angie Lowe. Hondo happens onto a homestead looking for a place to light. Mrs. Lane and her son soon worm their way into his heart, and everything he does from there on out has to do with her in some way. All this leads up to the classic romance happily ever after ending.

Robbers Roost by James Reasoner features a protagonist who’s so full of himself that you wouldn't think any author could make him likable. Preston Fox is out for glory and to prove himself the best army officer ever, even though he's been busted. His thought processes are warped at best. He’s egotistical, misguided, impulsive, and vain. Nevertheless, once his heart is captured by a young Chinese woman who just happens to be a prostitute, we actually start rooting for the guy. I read this book a year ago and still, after reading many books in the meantime, this character is still vivid in my mind. Now that’s good writing.

I just finished a book written by Monty McCord, Mundy's Law. This is a very traditional western where the entire book leads up to the final shootout, yet Marshal Joe Mundy is smitten with the previous marshal’s widow, who’s now a prostitute. This relationship is the spark for several events and the book and is not just window dressing.

This sort of relationship is nothing new in the western genre—look at Gunsmoke’s Marshal Dillon and Miss Kitty. While their relationship was never spelled out (except in one episode late in the series), we always knew that that the marshal was Miss Kitty's special man. Marshal Dillon never seriously messed around with any other woman and in our hearts, we knew that the two of them were made for each other.

Maverick and Paladin were both womanizers and most of the female viewing audience wouldn't have minded either of them putting their boots under their beds. And these shows, the romantic relationships—even though temporary—was either the inciting incident or a major turning point to get to the big showdown.

The major difference between traditional western and western historical romance is that in the latter, women are equals and half or more of the scenes are told using the heroine’s point of view, whereas the heroine’s viewpoint is often (not always) ignored in traditional westerns. In a WHR, the hero and heroine are both strong and the little woman doesn't sit around twiddling her thumbs as she waits for the big rescue.

None of that precludes the Big Shootout. Some WHR’s have one and some don’t. Mine nearly always do just because that’s the way the stories come to me, and often that scene flashes in my mind right after the initial story concept. My books generally have other showdowns and minor scrapes as well. The excerpt below is borne of the hero’s frustration with the heroine. Kade and Iris had kissed in the previous scene, and worse, one of her friends saw them.

Excerpt
Much Ado About Miners
♥ Hearts of Owyhee ♥ #4
By Jacquie Rogers

Kade ordered drinks for Phineas and himself. The hotel bar was noisy, and no one paid them any mind, which was good considering how his business partner was carrying on.

“I told the ladies not to go up there until you was done firing. Guess I’d better tell ’em what kind of firing.” Phineas laughed at his own joke.

Much Ado About Miners
by Jacquie Rogers

Kade didn’t.

“I’m telling you,” his old friend continued, “were it me up on that hill with a beautiful woman, I would’ve been kissing her, too. And whatever else she let me do.”

“This ain’t Lollie.”

“It’d be a lot easier on you if it was.”

Kade couldn’t argue with that.

“Might we ought to find you a woman, get some of that vinegar out of your veins.”

“Might.”

Harold poured their whiskeys. “Leave the bottle?”

Kade threw out some coins and waved the barkeep off. His head was scrambled enough without the sauce.

Phineas grabbed his glass and saluted Kade with it. “Then again, it’s hard on a man—thinking of one woman and pokin’ another.” He downed the whiskey in two gulps and slammed the glass on the counter. “ ‘We should be woo’d and were not made to woo.’ A Midsummer Night’s Dream, Act 2, Scene 1.”

Kade pulled his hat low over his forehead and pushed himself away from the bar. “Phineas, you are a trial of a man’s patience. Think I’ll head over to the sheriff’s office.”

“You are too blasted grumpy these days. I might just go back to the hotel and see if Lollie needs some entertaining.”

“Do that.” Kade tromped past the banker and his cronies, shoved past the bat wing doors, and took off to see if Sheriff Adler had anything interesting going on. He needed to forget all about the kiss, that woman, and her breasts pressed against his chest. And he was tired of being Phineas’s source of amusement.

Two roostered-up young men, doubtful they were over eighteen years old, walked down the boardwalk toward him. They evidently thought they required the entire boardwalk. In no mood to coddle big-headed whippersnappers who hadn’t learned to hold their liquor, Kade determined to stay his course. Not surprisingly, they tried to shoulder him off.

He leaned into the taller one and knocked him on his can. The other one pulled his pistol, cocked, and jammed the barrel in Kade’s side. Kade slammed his elbow into the kid’s solar plexus, grabbed the weapon, then kicked the upstart’s feet out from under him.

“You need to learn to respect your elders.” He waved the pistol at them. “Now get your sorry carcass up and come with me. It’s time for you to explain to the sheriff why you think you own that piece of boardwalk.”

With a little luck, they’d put up a fuss and he’d get a chance to work off some of his frustration. Unfortunately, luck wasn’t on his side, and they meekly walked to the sheriff’s office just as he had told them to.

When they got to the jail, Adler wasn’t there so Kade locked them in separate jail cells. The taller one, with a hang-dog expression, stood at the front of his cell with his hands wrapped around the bars. The other one headed straight to his cot and flopped down on his back, groaning. Kade gave them each a bucket of water.

“What are we supposed to do with that?” asked the taller one.

“You can drink it, wash in it, or piss in it—your choice.” He woke up Wilfred, the other deputy, who slept in the sheriff’s chair. “You have prisoners.”

Wilfred snorted and slid his feet off the desk, sat up, then took a swig of cold coffee. “Foul-tasting crap. Who made this?”

Kade tossed the jail cell keys on the desk. “You did.”

♥ ♥ ♥

♥ Hearts of Owyhee ♥ 

Much Ado About Marshals

Much Ado About Madams

Much Ado About Mavericks

Much Ado About Miners

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