Showing posts with label sweet historical western. Show all posts
Showing posts with label sweet historical western. Show all posts

Tuesday, March 15, 2022

Cowboy Quotes Through Time By Kathleen Lawless @kathleenlawless

Much of our love affair with cowboys comes to us courtesty of Hollywood.  I thought it would be fun to offer up some of my favorite quotes and see if you can identity either the movie character or actor.  I'll post the answers in the comments below.

1."Are you gonna pull those pistols or whistle Dixie?"

2. "I have two guns, one for each of ya."

3."You can't serve papers on a rat, baby sister. You gotta kill him or let him be."

4."You tell 'em I'm coming... And hell's coming with me, you hear?"

5."It's a hell of a thing killing a man.  Take away all he's got and all he's ever going to have."

6. "I hate rude behavior in a man.  I won't tolerate it."

7. "If you're going to use that gun, you better start on me."

8."Folks around here judge a man by what he is, not what he has."

9."If you repeat a lie often enough, it becomes the truth."

10. "Any man who doesn't care about his friends isn't much of a man."

11. "Learn to be meaner than evil and still love your family and enjoy a sunrise."

12."If he'd just pay me what's he's spent trying to make me stop robbing him, I'd stop robbing him." 

My latest, release is Janie, who revisits the town in Bullet in Widows of the Wild West.



Someone killed her husband.  And now they’re after her!

Janie doesn’t know who or why, only that she can’t run forever and Bullet seems as good a place as any to start over.    https://www.amazon.com/dp/B09RQ9L8VQ

USA Today Bestselling author Kathleen Lawless blames a misspent youth watching Rawhide, Maverick and Bonanza for her fascination with cowboys, which doesn’t stop her from creating a wide variety of interests and occupations for her many alpha male heroes.   

Her hero, Steele, in HER UNDERCOVER COWBOY, is a modern-day cowboy, so when she was wooed by a man called Steel— while he’s not a cowboy, he is an alpha male and her forever hero.  Which is why all of her stories end Happily Ever After.

Sign up for Kathleen’s VIP Reader Newsletter to receive a free book, updates, special giveaways and fan-priced offers.    http://eepurl.com/bV0sb1

 

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Tuesday, February 15, 2022

WOMEN'S WORK

 


I find it interesting writing about life in the Wild West, at the same time creating strong, independent heroines.  These ladies don’t settle for cooking and cleaning while waiting for hubby to come home.  Instead, I give them entrepreneurial interests and ambitions.  I admit it’s a challenge to find my heroines a credible career while staying as true as possible to the times. 

There’s a school teacher, of course.  And one woman who inherits a local cafĂ© after her parents die, but what do the other ladies in town do?  One of them sews, and I can imagine her bringing a machine West with her, maybe like the photo above.  Another settler, with the support of her husband, becomes a hotelier.  Soon, the town becomes big enough to boast not only a library, but a librarian.

Enter Janie.  Back in New York, someone killed her husband!  Now they’re after her.  As the sheltered only child of older parents, she has no life skills to speak of. When she arrives in Bullet, I decided she needs to fall back on her only transferable skill.  Baking!  It was the one thing that helped fill her married days, and something she’s good at.  Except she doesn’t want anyone’s help, having just had her first taste of independence.

Here’s a tease of what happens after Ross oversteps his bounds and goes too far trying to help her get established with a baking shop. 


   

          Ross was still a fair distance from the mine when he heard a horse and rider approaching him from behind.  He pulled over, then did a double take when he recognized Janie coming his way, riding far too fast for a beginner.

          She slowed down as she drew close, then stopped next to him with a jerky move that almost got her tossed from the saddle. 

          “You trying to kill yourself again?” he said.  He knew he sounded grumpy, trying to cover up the myriad of emotions bashing around inside him.  Happiness to see her again so soon, anger at her recklessness, hurt and confusion over her reaction when he was just trying to do something nice.

          “Nothing of the sort,” she said.  “I wanted to talk to you.  Alone.”

          He folded his arms over his chest.  “So, talk.”

          “Not when you’re glaring at me like that,” she said.

          He tipped his hat up at the brim.  “How would you like me to glare at you?”

          “How about trying to put yourself in my place.”

          “That’s the problem,” he said.  “I don’t know anything about your place.  I don’t know your background or your past or why someone would break into your hotel room.  But it might explain why you seem to be looking over your shoulder all the time. And what’s this about some stranger coming up to you on the street?”
          “He didn’t come up to me.  Not exactly.  He was just there in front of me one minute and gone the next.”

          “Are you on the run from something or someone back home?”

          Her lower lip trembled and the sight of it churned through his gut. 

          “Did someone hurt you?”

          She shook her head.

          “Then what?”

          “Someone killed my husband.”

 Janie, Book 2 of Widows of the Wild West, follows the town of Bullet and its citizens who were introduced in Seven Brides for Seven Brothers – A stand- alone sweet Western romance.   https://www.amazon.com/dp/B09RQ9L8VQ

USA Today Bestselling author Kathleen Lawless blames a misspent youth watching Rawhide, Maverick and Bonanza for her fascination with cowboys, which doesn’t stop her from creating a wide variety of interests and occupations for her many alpha male heroes.   

Her hero, Steele, in HER UNDERCOVER COWBOY, is a modern-day cowboy, so when she was wooed by a man called Steel— while he’s not a cowboy, he is an alpha male and her forever hero.  Which is why all of her stories end Happily Ever After.

Sign up for Kathleen’s VIP Reader Newsletter to receive a free book, updates, special giveaways and fan-priced offers.    http://eepurl.com/bV0sb1

 

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Tuesday, April 20, 2021

WHAT IF? By Kathleen Lawless @kathleenlawless

 

 What if is the basis for pretty much every work of literary fiction.  What if a man-eating shark is prowling the shallow waters of a popular swimming beach?  What if a young Amish boy is the only witness to a murder?  What if a handsome, eligible Duke refuses to marry or sire children to continue the family lineage?  There is even a recent movie with a stylized version of What If as its title.

Mail Order Brides are super popular with readers these days, especially multi-author projects.  Readers enjoy these series because each title contains a familiar, much-loved trope, yet each romance is unique based on the individual author’s voice and plotline. 



A version of What if the Wrong Woman Turns Out to be the Right One for Him? is the tagline for the Mistaken Identity Brides, an exciting series set to launch next month.  How does a groom waiting to pick up his mail-order bride somehow meet and marry a different woman?   The muse had a lot of fun with this premise and I eventually settled on a young, innocent orphan raised in a convent, on her way west to become a nun in A BRIDE FOR RILEY.




She was headed for the convent.  How did she wind up married instead? 

Raised in an orphanage, Lucinda never felt she truly had the calling to be a nun, secretly longing for her own family. Like a miracle, her prayers are answered when confusion at the train station leads her to the marriage altar instead of the convent. 

 Tuesday’s Teaser— from A BRIDE FOR RILEY

          Riley drew the carriage to a stop outside of the train depot in Butte and turned to his two young charges.  “You two stay here.  Kenny you mind your sister, hear?  Vicky, you’re in charge of your brother.” 

          Both children looked up at him with wide blue eyes that reminded him so much of his sister it hurt.  He knew what they were thinking.  Was he really coming back?  Or would he disappear the same way their father had shortly after their mother died? 

          “I won’t be long.  I promise,” he said as he climbed down.  He felt their eyes boring into his back as he strode into the train station.  He didn’t know a hill of beans about raising youngsters, but he’d promised his sister he’d do his best.  Which, to his mind, meant getting them a new mother as soon as possible.

          The train pulled in minutes later and stopped with a belch of coal smoke and the grinding sound of metal wheels on metal tracks.  Shortly after, the doors opened and the porters stepped off first, followed by the passengers. 

          One by one, he searched the face of each woman traveling alone.  There weren’t many.  That had to be her, the plain one standing by herself and looking around all wide-eyed and nervous.  She wasn’t wearing a single fashionable adornment like most of the other women passengers, but beneath her plain brown bonnet he glimpsed an escaped strand of reddish hair. 

          He frowned.  She’d sounded different in her letters, flirty and not the least bit shy.  He approached her slowly, half expecting her to bolt when he said her name.

          “Lucinda?” 

          She started before a look of relief spread over her features and she gave a jerky nod. 

          “I’m Riley.  Let’s go get your things.”

          “This is all I have.”  She indicated the shabby valise at her feet. 

          “That’s all?”  Funny, he’d been expecting his mail-order bride from Boston to arrive with a fashionable East coast wardrobe.

          “I was told I’d be supplied with whatever I needed.”

          “That a fact?”  He pressed his lips together and reached for her valise.  It felt almost empty.  No doubt that old busybody from the matchmaking agency had told her she was marrying a wealthy man.

          “The carriage is this way.”  As they walked out of the station, he wondered how to introduce the children in such a way that his mail order bride didn’t light out of here first thing.  

Pre-order Riley and receive it on your kindle first thing May 28thhttps://www.amazon.com/dp/B08YXZY8CQ




  You can check out the entire series here. https://www.amazon.com/gp/product/B08YYZSHYQ

Tuesday, September 1, 2020

Grass Valley Brides

 by Shanna Hatfield




I'm excited and honored to be part of a new historical collection of romances called Regional Romance Series written by Kari Trumbo, Kit Morgan, Peggy L. Henderson, and me. 

There are four books in the series and they all release September 14!

What's really neat about the series is that each book is a collection of three stories. So, if you buy all four books, you actually get twelve stories. 

My contribution to the series is Grass Valley Brides. The idea for this book came from a contemporary series I've written called Grass Valley Cowboys.  The stories are about the Thompson family and their friends in modern day Grass Valley, Oregon. As I wrote those books, I pondered what life might have been like when the town first started.

So, when the opportunity to participate in the Regional Romance Series  popped up, it seemed like a great time to dive into the town's history and write this story.


The town was established in 1878, and all three of my stories take place in 1884. By then, the town was starting to grow and there was daily stagecoach service through the area. 

Here's a little about Grass Valley Brides.


What’s a matchmaker to do when the husband-to-be rejects the bride?


Again . . .

Widowed as a young wife, Cara Cargill turned her head for business and love of romance into a successful mail-order bride enterprise. She’s never had a problem matching couples until one mule-headed man continues to refuse to wed the women she sends to meet him in Grass Valley, Oregon. In an effort to make a match he’ll keep and uphold her sterling reputation, Cara is desperate to find the perfect bride.

Daisy – When her fiancĂ© leaves her at the altar, Daisy Bancroft knows it is far past time for a change. Her dearest friend, Cara, offers to send her to a newly established town in Oregon, where possibilities abound and the grass is rumored to be as tall as a man’s head. Daisy arrives with plans to wed Tagg Thompson, only to find the obstinate rancher has foisted her off on his best friend.

Birdie – Tired of waiting for her Mister Right to magically appear and whisk her away to a happily-ever-after, Bridget “Birdie” Byrne convinces her sister, a renowned matchmaker, to send her as the bride to Tagg Thompson. The man who greets her upon her arrival isn’t Tagg, but Birdie is certain she’s finally discovered the man she is meant to marry.

Cara – Fed up with Tagg Thompson and his refusals of every bride she’s sent to Grass Valley for him to wed, Cara decides to meet the exasperating man in person. Her feet are barely on the ground in the rustic town before she’s nearly bowled over by a herd of stampeding cattle and swept into the brawny arms of a cowboy with the bluest eyes she’s ever seen.

Will true love find its home in the hearts of these Grass Valley Brides?



Here's an excerpt:

My dear Mrs. Cargill,

Happy spring greetings to you. Are the flowers blooming there now? We don’t have a lot of flowers here, beyond the ones that grow wild, but they are starting to bloom. In fact, there’s quite a field of them behind the church and another a few miles north of town.

I’ve got a hundred and three new calves and a few left to arrive, but it’s a good healthy crop of them this year. We’ve also got little baby chicks, and several colts. There are piglets, and, because I had a hankering for lamb stew, there are now a dozen sheep on the place, too. I’ve recently acquired the piece of land that borders mine to the east, giving me another section of ground. I’m not going to do a thing with it this year because the grass is perfect for my cattle to graze.

I’ve been talking to a fellow up north of us who wants to move to a warmer winter climate. He’s got thirty good head of cattle I’m thinking about buying, but we’ll see if he really does decide to move. Poor man lost his wife and daughter two years ago, and just hasn’t had his heart in the place since then.

Speaking of hearts, I still find myself in need of a bride. Maybe you should just send half a dozen at a time and I can start weeding them out faster. I’m not getting any younger, you know. I still plan on having youngsters someday, but I’d sure prefer to do it before I’m too old to pick them up or to chase after them on arthritic-plagued knees.

If you still haven’t sent a proper bride by the time the snow flies, I think I’ll come to Philadelphia and help you out. What would you think of that?

Until next time, your devoted and yet-to-be-satisfied client,

T. Thompson




Available on Amazon for only $2.99




USA Today bestselling author Shanna Hatfield is a farm girl who loves to write. Her sweet historical and contemporary romances are filled with sarcasm, humor, hope, and hunky heroes. When Shanna isn’t dreaming up unforgettable characters, twisting plots, or covertly seeking dark, decadent chocolate, she hangs out with her beloved husband, Captain Cavedweller.


Shanna loves to hear from readers. Follow her online at:

Website | Facebook | Newsletter | BookBub | Pinterest | Goodreads

Tuesday, January 21, 2020

THE DREADED RED PENCIL




Thanks for joining me on my very first Cowboy Kisses blog post.  I’m dying to know what everyone likes to read about here.  In writer’s Facebook groups, new authors often ask if they need to hire an editor and have their work edited before they self-publish their book.  This question makes me cringe.  No matter how experienced a writer is, or how many books to their credit, a writer’s words will always be improved by a round of good editing.  The key being “good” editing.  Which is a topic for another day.  (Over the years I’ve had some dreadful copyright editors whom I’ve refused to work with)

Lately I’ve had an interesting experience in the world of edits.  I’ve been comparing, line by line, the final version of my accepted manuscript to the traditionally published book.  At the time of publishing I accepted those changes because they improved my work.  Years later, I am a bit shocked at the visual proof my over-wordiness.  Plus I see all my bad habits corrected. 

I consider myself a lean and clean writer, which is clearly not always the case because, like all writers, I love words.  I am also deeply dismayed when I find a typo that was missed by not only me, but an entire team of editors, copy editors and proofreaders at a New York publishing house.

If, while reading a published book, you come across one or two typos forgive us; we are human.  If, however, the book is riddled with errors, that author didn’t take the appropriate time and care, which makes me not want to invest the time to read it. 

How do you feel?  Are you bothered by multiple errors and typos in published books? Or are you so immersed in the story they don’t matter?

Lately I’ve been working on a series of sweet western historicals,  Seven Brides for Seven Brothers, yet I couldn’t resist mixing things up with a very steamy contemporary western, UNTAMED.  After all, variety is the spice of life.  And thanks to the electronic book world, readers have more choices than ever before.


         
Taking a chance in the new Wild West.  The chance to be someone else.  The chance to be with him.

“Imagine Nancy Drew meets Sex in the City.”  Roundtable Reviews.


See you next month!   

Sign up for Kathleen’s VIP reader newsletter to receive updates, special giveaways and fan-priced offers.    http://eepurl.com/bV0sb1


Monday, February 4, 2019

The Fire Assaying Process


By Kristy McCaffrey



The fire assay method is used to determine the precious metal content of a mining sample and has been in use for thousands of years.

Assaying is the process of determining the quantity of any particular metal in an ore or alloy, especially the determination of the quantity of gold or silver.

Initially, the sample must be reduced to a powder in order to be tested. The powder is referred to as “pulp” and the scales to weigh it are called “pulp scales”. The assayer begins by running the sample through a crusher. After the initial crushing, the sample is put into a “buck board” for further pulverization under a muller that rubs the material into a finer state with a sliding motion. Harder samples are made finer using a device called a “rocker” that uses a heavier weight upon the sample being pulverized. Assayers doing a smaller volume of work might use an iron mortar and pestle, although it requires considerably more effort.

As this process unfolds, the assayer divides the sample into smaller and smaller portions until the correct sample size is achieved. After pulverization, the sample must be run through sieves of appropriate size. Any material that doesn’t pass through must be further ground down until the entire sample will pass through the sieve.

The resulting material must be carefully mixed and then stored in a container. The contents should not be shaken as this could cause the materials to begin stratifying according to their masses and it could upset the accuracy of the process.

Selected portions of the sample are placed into a scorifier, a dish that can sustain the heat of the assayer’s oven. Along with a sample of litharge (a form of lead), various chemicals are included that will help in allowing the metals to separate from the slag. The mixture is roasted in the assayer’s oven until the melted slag completely covers the lead bead that forms in the scorifier.

The sample is then poured into a cone-shaped mold, allowing the metal to form at the apex and the slag at the bottom. The metal part, or lead button, is detached from the slag and hammered into a cube with no sharp corners. The button is then melted again in a cupel, which is made of a material called bone ash. During this process, lead and other impurities are both oxidized and driven into the material of the cupel itself. A good cupel is capable of absorbing its own weight in litharge. The metal in the cupel melts, becomes smaller, and forms into a bead. The composition of this bead should be gold and silver. This bead is weighed.

The next step is called “parting”. The bead is flattened, placed in a porcelain capsule and treated with a solution of water and nitric acid. Once the reaction begins, the capsule is warmed. Silver in the bead forms a solution of silver nitrate that is carefully washed away until only gold, if any, remains. This is gently dried in the capsule and removed.

The final sample of gold is weighed, unless it’s too small, in which case it is described as a “trace” or “color”. From the weight of this bead, the assayer will calculate the gold and silver ore value per ton of ore.



In ROSEMARY, Book 11 of the Widows of Wildcat Ridge Series, Rosemary is determined to keep the assay office open after the death of her husband, along with most of the men in town, in a mining accident.

***

Rosemary Brennan struggles with grief along with the other widows of Wildcat Ridge after a devastating mine accident takes the life of her husband, Jack, and many others. Forced to find a new husband or be evicted from her home by the unscrupulous mine owner, Mortimer Crane, Rosemary finds unexpected help from Jack’s friend, Miles McGinty, an ex-U.S. Deputy Marshal. Together, they’ll uncover Crane’s deceit that involved her first husband. But McGinty knows more than he’s saying, and Rosemary isn’t certain she can trust another man so soon after losing Jack. More importantly, does she dare open her heart to him?

***

In the following excerpt, Rosemary has gone into the hills in search of an old Spanish mine called The Floriana but has become lost. She stumbles across the path of two unsavory prospectors, Hector and Alvin. It’s here that she meets our hero, McGinty.

Excerpt from Rosemary
Two men rolled in the dirt, locked together like battling bull elk. Another horse stood vigil, minus its rider, who must be the man currently fighting Hector on her behalf. For a split second, she thought it might have been Priscilla’s husband, Braxton, but the man grunting and, unfortunately, losing ground to the likes of Hector, was a stranger to her.

Friend or foe, she couldn’t let Hector win.

“Freeze or I’ll shoot,” she said loudly.

Both men stopped and looked at her.

“Who are you?” she demanded of the stranger.

“McGinty,” he wheezed past the chokehold Hector had on him.

McGinty? That sounded familiar.

“Let him go, Hector,” she demanded, “before I drag you to the marshal and have you locked up.”

A wicked grin spread across Hector’s face. “How you gonna do that? You’re as lost as a whore in church.”

Rosemary inhaled sharply. “You’re a despicable human being, and if you don’t release Mr. McGinty right now, I’ll shoot your foot off.”

Hector chuckled and gripped his arm tighter around McGinty’s neck. The stranger’s face was starting to turn purple.

Rosemary cocked the gun and closed her right eye to line up the sight with her left the way she had practiced with Jack. Without hesitation she fired, the kick from the weapon knocking her backwards with a scream. As she scrambled to her feet, Hector was howling, but Mr. McGinty had managed to free himself.

Alvin ran toward them with a lopsided gait, huffing and sweating. He might be young, but he acted like an old man.

Mr. McGinty grabbed a shotgun from his horse and aimed the firearm at the two prospectors.

“She shot me!” Hector wailed.

Rosemary remained where she was, a terrible trembling overcoming her. Good Lord, I did shoot him.

Alvin bent down to examine his friend’s leg, wheezing as he spoke. “Now, Hector, she barely grazed you.”

“She shot my foot off!”

Alvin shook his head, his mouth buried in the mop of whiskers that hung from his chin. “Nope. The bullet’s in the ground, not yer foot. She made a hole in your trousers, that’s all. I see a tiny speck of blood, but I’m not sure since you’re a mite filthy.”

“Grab her!” Hector insisted. “We’ll take her to Wildcat Ridge and have her arrested.”

“I don’t think so,” Mr. McGinty finally chimed in. “You were chasing her. What did you plan to do when you caught her?”

Hector’s expression turned incredulous. “Who the blazes are you? And how do you know she’s not my wife? Or somethin’?”

Mr. McGinty looked at her and the full brunt of his attention stilled her breath. Before she turned purple herself, she gulped air into her lungs. He was tall and strong and … how on earth did the likes of Hector best this man?

“Are you his wife?” he asked. “Or somethin’?”

Copyright © 2019 K. McCaffrey LLC



Don't miss all the books in The Widows of Wildcat Series
Sweet Historical Western Stories
1884 Utah Territory


Visit the series page here.


Connect with Kristy


Friday, July 28, 2017

Silver Mining Terms-Part 2


Last month I shared some mining terms—some dealing specifically with silver mining, some for precious metals mining in general. I did to to introduced you to my novellas that are part of the new Sweethearts of Jubilee Springs series. Jubilee Springs is a hypothetical silver mining town set high in the mountains of Colorado. You may reach that post by CLICKING HERE.

Here are some more mining terms:

Mill Run - A test of quality of ore after reduction.

Ore - Any natural combination of minerals. Especially one from which a metal or metals can be profitably extracted. Commonly a mixture of one or more of the following: quartz, gold, copper, silver, sulfur, iron, and nickel.
 
Silver ore
Outcrop - That portion of a vein appearing at the surface.

Patch - A small placer claim.

Petering or Peter Out - The ore giving out.

Pocket - A cavity filled with ore, or a rich deposit of precious metal.

Quartz - Metal encased in rock.
 
Silver ore
Reducing - Separating from foreign substances; the reduction of ores consists in extracting from them the metals they contain.

Shaft - A vertical or inclined excavation for purpose of prospecting or working mines.

Slag - The waste left as a residue by the smelting of metallic ore.

Soft Carbonate - Silver-bearing mineral so soft that it can be readily taken out with a pick and shovel. It is usually sand impregnated with mineral, the mineral having been carbonated or oxidized.

Sourdough - A highly experienced miner who has prospected for many years.

Square Set - A set of timbers used for support in underground mining.

Stamp or Stamp Mill - Machines for crushing ores.



Strike - A find; a valuable mineral development made in an unexpected manner.

Stull - Platforms of timbers between levels for strengthening the mine by supporting the walls, and for storing ore and depositing wall rock and waste material.

Stull Timbers - The large timbers placed across the vein or lode from one wall to another, to support the lagging upon which the ore or waste is placed.
 

Stull and Stull Timbers

Sump or Sumph - A pit sunk at the bottom of a mine to collect the water. It can be the bottom of a shaft.

Tailings - Gravel, dirt, and rocks that is left behind after extracting the minerals.



Whim - A winding machine used for hoisting ore out of a shaft.

Whim
 Windlass - A device, smaller than a whim, used to raise ore from a shaft.

Differential Windlass

Winze or Wizen - A shaft sunk from one level to the other.


Here is the book description for my second novella in the Sweethearts of Jubilee Springs series, Cat’s Meow

     Catherine “Cat” Everett has lost everything. She finds and adopts an abandoned, half-grown kitten. Unbeknownst to Harold Calloway, the man she has been writing to in Jubilee Springs with the intent of marriage, and enduring the disapproval of the railroads who do not allow pets to travel in the passenger areas, she decides to bring the kitten with her.
     When she arrives in Jubilee Springs, Catherine immediately falls in love with tall, lanky miner, Harold. She wants to marry him, but there is one “meowly” little problem.
    
You may purchase Cat’s Meow from Amazon by CLICKING HERE.